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Understanding Movies (13th Edition), by Louis Giannetti

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A readable, accessible introduction to film
Understanding Movies provides valuable insight into how movies communicate and convey meaning to their audiences through a unique network of language systems and techniques. In a readable, accessible, and sometimes humorous manner, Understanding Movies engages students in the fascinating language of film and helps further their appreciation and understanding of why and how movie watchers respond as they do to different films.
Organized around elements of film, the thirteenth edition of this market leading text provides students with a new way of looking at films that are familiar to them through contemporary coverage and a visually engaging presentation.
Learning Goals
Upon completing this book, readers will be able to:
- Understand film as an industry
- Discuss the impact of technology on the film industry
- Sales Rank: #16251 in Books
- Brand: Brand: Pearson
- Published on: 2013-07-06
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x 1.20" w x 8.00" l, 1.94 pounds
- Binding: Paperback
- 576 pages
Features
- Used Book in Good Condition
About the Author
Louis Giannetti is a Professor Emeritus of English and Film at Case Western Reserve University in Cleveland. He has taught courses in film, literature, writing, drama, and humanities. He has published many articles, both popular and scholarly, on political subjects, literature, and drama. In addition to being a professional film critic for several years, he has written about movies for such scholarly journals as Literature/Film Quarterly, The Western Humanities Review, and Film Criticism. Professor Giannetti is also the author of a book on cinema theory, Godard and Others: Essays on Film Form, published in both Britain and the Unites States. Giannetti’s other books include Masters of the American Cinema (Prentice Hall, 1981), a survey of American fiction films from the perspective of eighteen key figures. Flashback: A Brief History of Film, Sixth Edition (Allyn & Bacon, 2010), written with Scott Eyman, is a history organized by decade outlining the major events, trends, and important filmmakers and their work, with emphasis on the American cinema. Both books are copiously illustrated. Understanding Movies has been a bestselling text in all its previous editions, widely used in the United States and in such countries as Australia, Britain, Singapore, Canada, New Zealand, South Africa, and Japan.
Most helpful customer reviews
80 of 80 people found the following review helpful.
Teaches the language of film
By keviny01
"Understanding Movies" is an excellent primer book for anyone starting to learn the art of film. It is not a book that tells you why certain films are great, or why some are inferior. Rather, its objective is for the readers to acquire a good awareness of film art so they will be able to form their own opinions about the films they see. The book is comprised of 11 chapters which can be read out of sequence: Photography, Mise en Scene, Movement, Editing, Sound, Acting, Drama, Story, Literature, Ideology, Theory. Every chapter begins with an short overview (abstract) that points out the key ideas in the chapter, then it proceeds to elaborate on them. Emphases are made not just on the technical aspects of film-making, but artistic ones as well. For instance, the chapter on photography discusses not only things like f/stop, aperture, and exposure, but also how photography can achieve certain dramatic and psychological effects.
Without any hint of snobbery, the book uses examples from all kinds of films, from revered classics to recent box-office hits, to illustrate aspects of the art form. For instance, it cites James Cameron's TITANIC as an example of a filmmaker's subtle use of different flesh tones to evoke a sense of optimism or doom.
The chapter on "Ideology" was not available on some earlier editions. It provides a fascinating discussion on how movies often contain either implicit or explicit political leanings, religious beliefs, ethical values, and other allusions that reflect the attitudes of the filmmakers. It also includes a discussion on portrayals of gays and lesbians in films.
The book is replete with still photos from movies, each accompanied with a wonderful caption that serves as a mini-analysis of a certain aspect of the movie itself, so that readers can get a quick lesson on film art. Illustrations that stand out include: a series of screenshots from the Odessa Staircase sequence in THE BATTLESHIP POTEMKIN, storyboards from the crop-dusting scene in NORTH BY NORTHWEST, a shot-by-shot analysis of a scene from Hitchcock's SABOTAGE that demonstrates that sometimes an actor's performance can be made more effective when his or her face is unseen.
This is not a film review book. You won't see capsule reviews, cast biography, production history, etc. written about every single movie. This book does cite from about 300 films, but it only uses them as examples for discussing certain aspects of film art. It often assumes the readers have already seen the films in question. That brings up my biggest concern: the book often gives away plot details of the movies it discusses. To compensate for that, a lot of films cited by the book are popular hits that have likely been seen by most people, such as PRETTY WOMAN, TITANIC, DIE HARD, etc.
Each new edition of the book differs from earlier ones mainly in the selection of still photos. Newer editions contain more stills from recent films. The first three editions came out in 1971, '75, and '80 respectively. Hence, if you want to see more coverage of, say, films made in the 70s, be sure to get at least the 3rd edition or later.
Last but not least, the book ends with a comprehensive appraisal of CITIZEN KANE that (a) analyzes the movie itself, (b) serves as a grand summation for the book, and most importantly, (c) invites the reader to apply all the knowledge gained from the book to becoming a more astute film viewer.
26 of 27 people found the following review helpful.
A pleasurable, very educational book about film
By nuclearflea
I picked up this book, in part, because of the several ...[good ratings]... Isn't it great when people you don't even know turn you on to a GREAT book? I have always been a movie enthusiast, but recently, having discovered how great DVDs look and sound, I am starting to re-discover my love of movies. I want to know more about how movies work, and how different effects are acheived. This book has been wonderful in helping my understanding of cinema. From the first chapter onward, I have found insights into movies that help me look at them with a slightly different eye: why are the colors like that in this scene? Why is the shot framed like it is? Although this book seems like it could be used as a textbook in a beginning film class, I carry it around with me and read it, and even re-read parts. Thanks for the great tip. Yes a five-star book! Fun to read!
106 of 125 people found the following review helpful.
Review of 10th edition
By Robert Jordan
Hey, wanna make a bunch of money? Let's write a college text book! We've got a captive audience that has no choice but to buy our book. Then every two or three years we can release a new edition and eliminate that nasty habit students have of reselling used text books they no longer need. Too much work, you say? Okay, let's just slap a different picture on the cover and release the old edition again! Can't quite picture it? Need an example to emulate? Try this one:
I've been using Louis Giannetti's Understanding Movies since the second or third edition. Over the years I've occasionally been pleased to see a new edition which boasts some major improvements. But in my opinion, there haven't been any since the seventh edition. Now here's the tenth edition and every film student in the country has to fork out for it rather than getting their roommate's 9th edition for a buck or two.
So what do you get for that extra money? A new cover certainly. I don't know about you but I wouldn't be caught dead with a text book with Gladiator on the cover - that would be SO three years ago! And there's an entirely new chapter! That's worth paying an extra fifty bucks - no, wait. Same chapter that's been there since Clinton was president. They just renamed it.
Did some technological revolution change the face of cinema, warranting a new version of the book to address it? Giannetti has added a new section on special effects to the chapter on photography. It's less than one page of text. I haven't read the entire book yet, but I've yet to see any reference to the fact that some films have been shot entirely on hi-def video rather than celluloid, or that this might be a significant trend in the future. The closest thing to a landmark film in the last ten years has been Peter Jackson's The Lord of the Rings trilogy. But the only reason Giannetti even mentions it is to point out that Ian McKellen is gay.
But while we ignore or slight what could have made this edition fresh and vital, we keep that which makes it antiquated. Yes, I'm talking about the shot by shot reproductions of important films seen in Understanding Movies as far back as I can remember. We have SIXTY images from The Battleship Potemkin's justly famous Odessa Steps sequence. There's TWENTY-FOUR PAGES of story-board images from Hitchcock's North by Northwest. Giannetti's not alone here - lots of film textbook authors do this. Come on! If anyone wants to do a shot-by-shot analysis of a film like Potemkin or North by Northwest, they can get the DVD. If a film instructor thinks it's that important for students to have this level of exposure to those scenes, they can be screened in class. In the 21st century I consider it just book padding to add thirty pages of superfluous material to a text like this.
Okay, I've calmed down a bit. There's really nothing terribly wrong with Giannetti's book. It's interesting. It covers the subject material quite well. It's just that it did that ten years ago and it offends me when every two or three years students discover at the end of their courses that their books can't be resold and the following semester every student will discover there are no used editions to purchase. Sweet racket.
So enjoy that photo of Sean Penn on the cover - it cost you an extra fifty bucks!
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