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The Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe’s earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies.
This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe’s images were made to work for enacting revolutionary change while preserving the colonial status quo. She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies.
- Sales Rank: #1676617 in Books
- Published on: 2014-02-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 1.25" w x 8.50" l, 4.05 pounds
- Binding: Hardcover
- 348 pages
Review
"Incredibly thorough in both research and analysis, this book sets a standard for scholars of Spanish and Mexican art, religion, and culture." (Lindsay King Library Journal 2014-05-15)
"The book expands the understanding of the connections between sacred representations and the ways they are envisioned by different communities of the faithful. . . . Future researches on Latin American sacred art and Mexican culture in general will indeed be inspired by Visualizing Guadalupe."
(The Americas) About the Author
Jeannette Favrot Peterson is Professor of Art and Architectural History at the University of California at Santa Barbara. She is the author of The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-Century Mexico, which won the College Art Association’s Charles Rufus Morey Book Award, and coeditor of Seeing across Cultures in the Early Modern World.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A remarkable and beautiful book!!
By nelda
This is a remarkable book. A real academic coup de force. The text
is fascinating, about the black madonna image, its meaning and origins,
and the illustrations are lovely. Jeanette Peterson is a respected art
historian and this work will surely merit her only more kudos.
2 of 2 people found the following review helpful.
This a very beautiful and wonderfully detailed volume
By Amazon Customer
This a very beautiful and wonderfully detailed volume, but it elects not to acknowledge anything in support of the tilma image's acheiropoietic origins. Philip Serna Callahan's infra-red evaluation is dismissed in one sentence. Professor Petersen questions a statement in his monograph in which he writes that the mantle's color appears to be tempera, but also has the transparency of watercolor. She decides this is simple double-talk, even though it was just part of many findings which led to his summation that the Virgin's blue mantle color and condition are inexplicable. There's also no mention of the mid-1990s unearthing of the Codex Escalada or Ernest Burris' technical analysis of the mid-16th-century copy of the Nican Mopohua, found in the New York Public Library. The author's point of view is clear and she's welcome to it, but the work feels incomplete because of it. She is focused on proving how Juan Diego and his image evolved into a 17th-century miracle-mill, but this Guadalupe conspiracy theory never really rings true.
"The believers in miracles accept them (rightly or wrongly) only because they have some evidence for them.
The disbelievers in miracles deny them (rightly or wrongly) because they have a doctrine against them."
-- G.K. Chesterton
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