Rabu, 30 Maret 2011

[U986.Ebook] Download PDF Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander

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Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander

Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander



Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander

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Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander

Finally—highly effective, field-tested lesson plans for the students in every elementary and middle school classroom who struggle with writing. The practical how-to follow-up to Graham and Harris's popular Writing Better, this book is just what K–8 educators need to advance all students' writing skills, whether they have learning disabilities or just need extra help.

Teachers will get concise lesson plans they can use to easily supplement their existing writing curriculum. From 20 to 50 minutes each, the lessons

  • address types of writing that are key to academic success, such as writing reports and constructing essays for standardized tests
  • help with every phase of the writing process, from planning to revising
  • reinforce new skills through group and individual practice
  • ensure that improvements are sustained by teaching students critical self-regulation skills they can use independently
  • support effective instruction with step-by-step guidelines and optional scripts for teachers
  • engage students with mnemonic devices they'll immediately grasp and remember
  • include fun photocopiable support materials, such as cue cards, picture prompts, sheets for graphing story parts, and charts for brainstorming and setting goals

Firmly grounded in the authors' Self-Regulated Strategy Development approach, which has been proven effective by 2 decades of research, these brief, powerful lessons will help transform struggling students into confident, skilled, and motivated writers.

  • Sales Rank: #104107 in Books
  • Brand: Harris, Karen R./ Graham, Steve/ Mason, Linda H./ Friedlander, Barbara/ Reid, Robert (FRW)
  • Published on: 2007-11-28
  • Released on: 2007-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.94" h x .89" w x 8.48" l, 2.32 pounds
  • Binding: Paperback
  • 444 pages

Review
A powerful, evidence; based approach to instruction . . . The clear and complete lessons plans included in this volume will help teachers enhance their ability to provide effective instruction to students at all levels. --Joanna Williams, Ph.D., Professor of Psychology and Education, Teachers College, Columbia University

Harris and Graham are models for contemporary intervention researchers with their balanced foci on impeccable research and assiduous attention to translating research into practice. --Bernice Wong, Professor Emerita, Simon Fraser University, British Columbia, Canada

Splendid, accessible compendium of a body of respected scholarly work now packaged for all teachers. A wonderful gift to the field! --Nickola Nelson, Ph.D., Charles Van Riper Professor, Western Michigan University

Harris and Graham are models for contemporary intervention researchers with their balanced foci on impeccable research and assiduous attention to translating research into practice. --Bernice Wong, Professor Emerita, Simon Fraser University, British Columbia, Canada

A powerful, evidence; based approach to instruction . . . The clear and complete lessons plans included in this volume will help teachers enhance their ability to provide effective instruction to students at all levels. --Joanna Williams, Ph.D., Professor of Psychology and Education, Teachers College, Columbia University

Harris and Graham are models for contemporary intervention researchers with their balanced foci on impeccable research and assiduous attention to translating research into practice. --Bernice Wong, Professor Emerita, Simon Fraser University, British Columbia, Canada

A powerful, evidence; based approach to instruction . . . The clear and complete lessons plans included in this volume will help teachers enhance their ability to provide effective instruction to students at all levels. --Joanna Williams, Ph.D., Professor of Psychology and Education, Teachers College, Columbia University

About the Author

Karen Harris, Ed.D., is Professor and the Currey-Ingram Chair in Special Education at Vanderbilt University, Nashville, Tennessee. She has taught kindergarten and fourth-grade students, as well as elementary and secondary students with disabilities. She is co-author, with Steve Graham, of the books Making the Writing Process Work: Strategies for Composition and Self-Regulation; Teaching Every Child Every Day: Learning in Diverse Schools and Classrooms; Handbook of Learning Disabilities; and the curriculum Spell It-Write. Dr. Harris is the editor of the Journal of Educational Psychology. Her research is focused on theoretical and intervention issues in the development of academic and self-regulation strategies among students with attention-deficit/hyperactivity disorder, learning disabilities, and other challenges.

Steve Graham, Ph.D., is Professor and the Currey-Ingram Chair in Special Education at Vanderbilt University, Nashville, Tennessee. He is the current editor of Exceptional Children and the past editor of Contemporary Educational Psychology. He is the co-author of the Handbook of Learning Disabilities; Making the Writing Process Work: Strategies for Composition and Self-Regulation; Teaching Every Child Every Day: Learning in Diverse Schools and Classrooms; Teaching Every Adolescent Every Day; Spell It-Write (a spelling program for children in grades K through 9); and the upcoming Handbook of Writing Research. Dr. Graham's research has focused mainly on identifying the factors that contribute to the development of writing difficulties; the development and validation of effective procedures for teaching planning, revising, and the mechanics of writings to struggling writers; and the use of technology to enhance writing performance and development.

Dr. Linda H. Mason has a joint appointment in the Department of Educational Psychology, Counseling, and Special Education and the Children, Youth, and Families Consortium at The Pennsylvania State University. Prior to completing her Ph.D., Dr. Mason taught special education in an inclusive public elementary school for six years. She has been awarded two U.S. Department of Education grants focusing on reading comprehension and writing intervention for low-achieving students. Dr. Mason serves on six editorial boards, including journals focused on research-topractice. At Penn State, she teaches courses in literacy for students with special needs, curriculum development, reading and writing methods, assessment, and effective instruction. Dr. Mason was awarded the Council for Exceptional Children, Division of Research Distinguished Early Career Award in 2011 and a Fulbright Scholarship to teach in Hungary in fall 2011.

Excerpt. © Reprinted by permission. All rights reserved.

Excerpted from Chapter 2 of Powerful Writing Strategies for All Students, by Karen R. Harris, Ed.D., Steve Graham, Ed.D.,Linda H. Mason, Ph.D., & Barbara Friedlander, M.A.

Copyright © 2008 by Paul H. Brookes Publishing Co. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

"Okay, students, begin writing." The students look at their clean, white, lined paper, pick up their newly sharpened pencils, and begin to think. Some students start writing, while others continue to sit still, look around the room, and, after a few minutes, raise their hands. "What should I write about?" "How do I get started?" "I'm just no good at writing." With that informal assessment, the teacher decides on an approach that will provide the students with the keys to unlocking the strategies and skills that good writers use. The teacher is confident that these students can learn to use the same powerful writing and self–regulation strategies that good writers use. In this chapter, the instructional model for teaching composing and self–regulation strategies, Self–Regulated Strategy Development (SRSD), is presented. The major goals of SRSD are threefold:

  • To assist students in mastering the higher–level cognitive processes involved in the planning, production, revising, and editing of written language

  • To help students further develop the ability to monitor and manage their own writing

  • To aid students in the development of positive attitudes and beliefs about writing and about themselves as writers

    Many students have experienced a great deal of frustration, failure, or anxiety when faced with writing assignments. For these students, the development of positive attitudes and beliefs is essential. These attitudes and beliefs develop as the students learn powerful strategies that improve their writing. There is a great deal of truth in the old adage, "Nothing succeeds like success." To help students master writing strategies and use them effectively, the SRSD approach includes the development of skillful use of effective writing strategies, self–regulation of the writing process, and knowledge of one's own cognitive processes and other learning characteristics and an understanding of the potential and limitations of the strategies they learn.

    Self–regulation of strategic performance and knowledge about the strategies are important in helping students

    • Understand how and when to apply a strategy

    • Independently produce, evaluate, and modify a strategy in an effective manner

    • Recognize meaningful improvement in skills, processes, and products

    • Gain new insights regarding strategies and their own strategic performance
    • Improve their expectations of and attitudes regarding themselves as writers

    • Maintain and generalize strategic performance

    STAGES OF INSTRUCTION

    In the SRSD approach, six basic stages of instruction are used to develop and integrate use of the strategy and self–regulation components. SRSD has been successfully used with entire classes, small groups, individual students, and in tutoring settings. Throughout these stages, teachers and students collaborate on the acquisition, implementation, evaluation, and modification of strategies. These stages are not meant to be followed in a "cookbook" fashion. Instead, they provide a general format and guidelines. The instructional stages are meant to be recursive, teachers may return to any stage at any time. The stages may be reordered, combined, or modified as needed to meet student and teacher needs. In fact, as will be seen in the lesson plans in this book, the first two stages (Develop Background Knowledge and Discuss It) are typically combined in the first lessons. Some stages may not be needed by all students. Some students may already have the background knowledge needed to use the writing strategy and self–regulation processes and may therefore skip this stage or act as a resource for other students who need this stage. Finally, lessons have typically run anywhere from 20 to 60 minutes (depending on grade level and class schedules) at least three times a week. Typically, in the elementary grades, 8 to 12 lessons running 30 to 40 minutes each have proven sufficient to allow students to complete the stages. More complex strategies may take longer in middle or high school.

    Generalization and Maintenance

    Procedures for promoting maintenance and generalization are integrated throughout the stages of instruction in the SRSD model. These include

    • Identifying opportunities to use the writing and/or self–regulation strategies in other classes or settings

    • Discussing attempts to use the strategies at other times

    • Reminding students to use the strategies at appropriate times

    • Analyzing how these processes may be modified with other tasks and in new settings

    • Evaluating the success of these processes during and after instruction It is helpful to involve others (e.g., other teachers, parents) as they can prompt the use of the strategies at appropriate times in other settings. Booster sessions in which the strategies are reviewed, discussed, and supported are very important for most students in terms of maintaining the strategies.

    Self–Efficacy

    Students who have experienced significant learning problems frequently develop negative beliefs and expectations that result in low motivation, attitudinal problems, and lessened effort. Repeated failure can result in feelings of helplessness. These students believe that further effort will have little effect, even when the task is doable. Self–efficacy is believed to have a strong influence on performance as it affects a person's choice of activities, the amount of effort expended, and the degree of persistence one demonstrates in the face of difficulty. Students who believe they are capable of successful performance are likely to choose challenging activities, work hard, and persist when difficulties are encountered. Throughout SRSD, self–efficacy is supported and developed.

    A brief overview of the six stages of instruction in SRSD is presented in Table 2.1.

    Each stage is discussed in detail and then followed by an example of SRSD in the classroom. The stages of instruction, however, represent merely the framework of instruction. Thus, this description is followed by a discussion of critical characteristics of SRSD instruction and guidelines for evaluation of this process.

    STAGE 1: DEVELOP BACKGROUND KNOWLEDGE

    During this stage, background knowledge and any preskills (e.g., vocabulary, concepts) students need for learning and using the writing or self–regulation strategies are developed. For example, if students are going to learn a story–writing strategy (e.g., the Who, When, and Where [WWW] strategy for story writing included in this book), they must understand the vocabulary related to story parts, including who, when, and where, or for older students, setting and characters. Preskills and background knowledge should be developed far enough to allow students to move into the next stages. Their development can continue into Stages 2 (Discuss It) and 3 (Model It); however, it is usually best if preskills are mastered by Stage 4 (Memorize It). Background knowledge and preskill development activities depend on the learner and the knowledge and skills that must be developed. These skills can be developed in regard to both the composition and self–regulation strategies that are to be mastered.

    The concept and use of self–instructions are often introduced in Stage 1. The teacher and students might collaboratively create self–instructions relevant to composition. For example, a student who tends to act impulsively might say to himself, "Remember, I need to take my time and go slow." A student with a low tolerance for frustration might say, "I'm not going to get mad. Getting mad makes me do bad." Students can practice using such self–instructions in a variety of situations as a part of preskill development; these self–instructions can then be incorporated into the later stages of strategies instruction. This may be particularly helpful for students who have not previously learned to use self–instructions.

    In addition, the teacher can discuss with students how the things they say to themselves can either help or hurt them. Students might discuss the self–speech they currently use when asked to write and whether it helps them or needs to be changed. Negative or ineffective self–statements such as "I'm no good at this" or "I hate writing" can be identified, and the ways these statements interfere with performance can be discussed.

    STAGE 2: DISCUSS IT

    During this stage, the teacher and students discuss the significance and benefits of the writing and self–regulation strategies to be learned. Each step in the writing strategy is discussed, as are any mnemonics to be used. The importance of student effort in strategy mastery is also emphasized. Throughout instruction, it is essential that students recognize and discuss the role of effort in learning and using strategies, and that they see their efforts paying off in better writing. This emphasis on knowing more about the strategy and how it works, along with student effort, helps set the stage for the development of positive attitudes about writing. The goals of strategies instruction are discussed and determined. This stage enables students to make a commitment to strategy mastery and participation as a partner/collaborator while helping to establish motivation.

    Along with their teacher, students may also examine their current performance on the targeted composing skill. Compositions from students' portfolios or those written before strategies instruction began can be read and analyzed. For example, if the story grammar strategy has been discussed, students' selected stories can be analyzed to see how many common story elements are included. In addition, students may graph the number of elements present in their stories. Graphing of current performance can help set the stage for both goal setting and self–monitoring. If current performance is examined to help set the stage for strategies instruction, it should be done in a positive, collaborative manner with the teacher stressing that students were not expected to have all the common story parts when these stories were written because they hadn't yet learned the strategy.

    The teacher and students also discuss how and when to use the strategy. This discussion should not be limited to the writing task at hand. At this time, students can begin to identify opportunities to use the strategy in new situations or for other appropriate tasks (e.g., the story grammar strategy might be useful in writing a book report). However, the teacher should be sure that the proposed benefits of the strategy are expressed reasonably so that students do not develop unreasonable expectations. In addition, the teacher and students should discuss writing tasks in which this strategy would not be useful (e.g., the story–writing strategy would not be useful for writing a science report).

    STAGE 3: MODEL IT

    During this stage, the teacher or a peer models the composing strategy and selected types of self–instructions, thinking aloud while writing an actual composition. Types of self–instructions that can be introduced include problem definition (What is it? What do I have to do here?), focusing attention and planning (I need to concentrate. First I need to . . . then . . .), strategy step statements (I need to write down my strategy reminder), self–evaluation and error correcting (Have I used all of my parts? Oops! I missed one. I'd better add it), coping and self–control (I can handle this. I need to go slow and take my time), and self–reinforcement (I like this ending!). All of these forms should not be introduced at once. Instead, teachers should select types of statements and model statements specific to the needs and characteristics of their students. It is also important that the model demonstrate coping with difficulty, such as having trouble thinking what to do next or forgetting a strategy step, and then model how one successfully deals with a particular difficulty. Students can help the teacher when difficulties are encountered.

    If students initially use prompts (they are typically used, as will be seen in the lesson plans), such as a graphic or chart listing the strategy steps or detailing a mnemonic and a graphic organizer for writing, the model should use them as well. The teacher can also set a goal for her or his composition, such as including all seven story parts, and evaluate the composition to see if that goal was met. Students can also be involved in the writing process by helping the teacher or peer model during planning and writing.

    After self–regulation of the writing strategy has been modeled, the teacher and students should discuss the importance of the self–statements used during modeling as well as the goal setting and self–assessment. At this point, students typically begin developing their preferred self–instructions, recording them on paper or on bulletin boards. These self–instructions will be used in later stages; modeling, reexplanation, and further development of self–instructions can occur in later stages as needed. Teachers and students can discuss the strategy steps and instructional components and then collaboratively decide if any changes are needed to make the strategy more effective and efficient. This can be discussed again in later stages. Generalization of the strategy to other tasks and settings can also be discussed further.

    Teachers who have used SRSD have either creatively augmented live modeling or come up with alternatives. One teacher who was uncomfortable with modeling from memory or from notes when he first began strategy instruction came up with an innovative approach that worked well for him and his students. He worked out his modeling script, making sure he had all of the components, steps, and self–instructions he wished to model. He then put his self–talk on audiotape, reading from the script but speaking naturally and appropriately. He played this tape with his writing group, using the overhead projector to simultaneously plan for a composition. When modeling planning using the strategy prompt and graphic organizer was completed, the teacher and his students collaboratively wrote the actual composition, using the notes generated while modeling. In addition, teachers have successfully incorporated videotapes of peers who have already learned the strategies modeling their use of the writing and selfregulation strategies.

    One of the aspects of modeling that makes it such a powerful procedure is the extent to which the model's performance can be individualized to meet the needs of a particular student or group of students. When teachers first prepare to model for their students, they often find it helpful to brainstorm together. As teachers become more practiced and adept at modeling, they find the preparation for this stage much easier. Modeling scripts developed by three groups of teachers during a workshop are presented in Table 2.2. Each group identified and discussed a particular student or group of students for whom the modeling was intended and then identified particular needs or goals relevant to this student or group. The same picture was used by each group as a story prompt to facilitate comparing and contrasting the different scripts. Each group then developed a script for modeling the story–writing strategy. As you will see, the scripts differ in ways that make them responsive to the needs of the target students, yet each script is based on the same strategy.

    STAGE 4: MEMORIZE IT

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  • Senin, 14 Maret 2011

    [S453.Ebook] Download Ebook Alien Race: Visual Development of an Intergalactic AdventureFrom Design Studio Press

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    Alien Race: Visual Development of an Intergalactic AdventureFrom Design Studio Press

    Alien Race is an illustrated narrative of an original science fiction tale. Three Art Center College of Design entertainment design students discuss the process of and develop the visuals for one of the most unique stories today - combining action, adventure and captivating art to introduce the reader to the fascinating world of concept design.

    • Sales Rank: #3491598 in Books
    • Published on: 2009-07-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.28" h x .91" w x 10.22" l, 3.23 pounds
    • Binding: Hardcover
    • 160 pages
    Features
    • Alien Book
    • visual development
    • Art
    • Design entertainment
    • Graphics

    About the Author

    Peter Chan was born in Taiwan in 1980 and moved to Hong Kong at the age of 10. Interested in drawing and painting, Peter attended Interlochen Arts Academy in Michigan, U.S.A. where he began to focus his skills in fine arts. Afterwards, he received his B.F.A. in Furniture Design from the Rhode Island School of Design. It is not until Peter went to Art Center that he found his passion in the entertainment industry. Peter now works as a concept artist in Los Angeles, and feels very lucky to be drawing and painting everyday with great people!

    At a young age, John's creative process began by doodling images from his imagination. He started attending Saturday High at Art Center for high school students, then transitioned into product design at Art Center College of Design. During his early educational terms at Art Center one of his greatest mentors, Scott Robertson, inspired John to commit to entertainment design. Now John is an entertainment design student at Art Center with a few terms left, ready to take on the next challenge ahead.

    Justin was born in Los Angeles in 1986. At an early age, Justin started recording his experiences and surroundings through drawing, including his doctor visits, family vacations, trains, etc. Inspired by his grandfather, a painter in Thailand, he was determined to pursue the visual arts. Justin took classes in painting, figure drawing and comic book design in his teen years. Later, he attended Saturday High classes at Art Center College of Design, where he was subsequently accepted. For two summers, he interned at Design Studio Press, where he worked on various video games. Justin recently graduated from the Entertainment Design department at Art Center.

    Ben Mauro is a Los Angeles-based artist and designer. He studied industrial design and entertainment design at Art Center College of Design in Pasadena, California. He is currently working on freelance projects and looking for design opportunities in the entertainment industry.

    Thom Tenery holds a Bachelor of Science degree  in Architecture and studied entertainment design and illustration at Art Center College of Design. Eight years of architectural and interior design, along with a passion for art, science fiction and film, led him to a career in concept design. When not roaming the stacks of used bookstores he can be found immersed in the visual development of his own worlds. Thom is currently a concept artist at ID Software.

    Scott Robertson started his secondary education at Oregon State University, then transferred to Art Center College of Design in Pasadena, California. He graduated in 1990 with honors and a B.S. degree in Transportation Design. After Art Center he immediately opened a consulting firm in San Francisco, where he designed a variety of consumer products. In 1995, he began teaching at Art Center College of Design, first with a year-and-a-half stint at Art Center Europe in Vevey, Switzerland and then in Pasadena, California. Scott’s clients have included the BMW subsidiary Designworks/USA, Bell Sports, Raleigh Bicycles, Mattel Toys, Patagonia, Minority Report feature film, Nike, Universal Studios, Rockstar Games, Sony Online Entertainment, Buena Vista Games and THQ to name a few. Dedicated to art and design education, he founded the publishing company Design Studio Press in 2002.  He has authored or co-authored 8 books furthering design, drawing and rendering education and has co-produced 41 educational “how to” DVDs with The Gnomon Workshop. Scott himself has instructed on 9 DVDs, focusing on drawing and rendering techniques for industrial and entertainment designers. He continues to teach at Art Center and serves as Chair of the Entertainment Design department. Scott is married to film editor Melissa Kent.

     

    Most helpful customer reviews

    3 of 3 people found the following review helpful.
    Alien Race: Ahead by a nose!
    By Adam Dickstein
    I would like to start by saying that I am by no means an authority on concept art, although I am a freelance artist. I am also by no means a professional science fiction critic, though I have been a sci-fi fan for as long as I can remember. Lastly, I may have given the book 4 stars but that's only because I can't give it 4 and a half.

    Simply put, 'Alien Race: A Visual Development of an Intergalactic Adventure' is a stunning, well put together and artistically inspiring piece of creativity in book form. Designed as a collection of concept art, stories and ideas developed for a possible intellectual property, the book explores the various characters, creatures, environments and plot angles that might go into the creation of a film, animated cartoon, tv series or video game. While no such use of the material in 'Alien Race' actually exists as of this review (unfortunately), the artwork and concepts contained within the pages of this book could easily be from a 'making of the movie' book for a popular film.

    Especially impressive is the way multiple artists and designers approached the same or similar concepts in the book. I also liked how they showed the ideas they did not go with, again bringing to mind the concept designs seen in the 'art of' or 'making of' books for currently developed properties like the J.J. Abrams Star Trek film or the Star Wars: The Clone Wars animated series for example.

    So why not five stars? Well, its a personal preference really and has less to do with the quality of the book itself. I felt a couple of the ideas in the book were underdeveloped and would therefore hinder its use as a 'real' property. The 'human team', that is those participants in the 'Alien Race' who hail from Earth, seemed visually underwhelming in comparission to their alien counterparts. Again this is just my personal aesthetic and not a reflection of the work. Also, the Flyers, those creatures that fly in the race, seemed less diverse and astounding then their ground based cousins even though they travel threw the air which is the more exotic environment.

    If there is ever an 'Alien Race II' I'd love to see creatures that swim or climb and perhaps some insectoid lifeforms. That said, this book is definitely a triumph in that my only complains are wanting more.

    1 of 1 people found the following review helpful.
    Alien Race: Visual Development of an Intergalactic Adventure
    By manilla gurilla
    Very interesting book, I especially enjoyed the section using chicken for alien shapes or forms for inspiration. Not a how-to, but definitely good for a little inspiration to get you out of your idea funk.

    1 of 2 people found the following review helpful.
    Great visual style!
    By Teyon Alexander
    The thing I like most about the art in this book is the visual style. It's at once very expressive and completely believable. I hope that I get to see more from the folks who put this one together.

    See all 4 customer reviews...

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    Sabtu, 12 Maret 2011

    [O373.Ebook] Ebook Download The Dirt on Ninth Grave: A Novel (Charley Davidson Series), by Darynda Jones

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    The Dirt on Ninth Grave: A Novel (Charley Davidson Series), by Darynda Jones

    In a small village in New York Charley Davidson is living as Jane Doe, a girl with no memory of who she is or where she came from. So when she is working at a diner and slowly begins to realize she can see dead people, she's more than a little taken aback. Stranger still are the people entering her life. They seem to know things about her. Things they hide with lies and half-truths. Soon, she senses something far darker. A force that wants to cause her harm, she is sure of it. Her saving grace comes in the form of a new friend she feels she can confide in and the fry cook, a devastatingly handsome man whose smile is breathtaking and touch is scalding. He stays close, and she almost feels safe with him around.

    But no one can outrun their past, and the more lies that swirl around her-even from her new and trusted friends-the more disoriented she becomes, until she is confronted by a man who claims to have been sent to kill her. Sent by the darkest force in the universe. A force that absolutely will not stop until she is dead. Thankfully, she has a Rottweiler. But that doesn't help in her quest to find her identity and recover what she's lost. That will take all her courage and a touch of the power she feels flowing like electricity through her veins. She almost feels sorry for him. The devil in blue jeans. The disarming fry cook who lies with every breath he takes. She will get to the bottom of what he knows if it kills her. Or him. Either way.

    • Sales Rank: #205557 in Books
    • Published on: 2016-01-12
    • Released on: 2016-01-12
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.62" h x 1.16" w x 6.39" l, 1.00 pounds
    • Binding: Hardcover
    • 336 pages

    From Publishers Weekly
    Jones's fast-paced ninth Charley Davidson novel (after 2015's Eighth Grave after Dark) alternates between the comical and the mystical. Charley, who's suffering from amnesia and is known as Janey, has been working as a waitress at the Firelight Grill in the Hudson River town of Sleepy Hollow, N.Y. Unaware of her paranormal powers, Charley is perplexed by her ability to see dead people and understand multiple languages. Charley attempts to see the humor in her everyday life even as she feels the otherworldly forces around her. Meanwhile, she's attracted to customer Reyes Farrow and seeks to solve the mystery of the disappearance of the family of Mr. Vandenberg, a nearby shop owner. Fortunately, Charley's unexplained supernatural abilities prove beneficial to her amateur sleuthing efforts. Charley's adventures build to an apocalyptic conclusion that uncovers the true meaning of her life. Agent: Alexandra Machinist, ICM Partners. (Jan.)\n

    Review

    “Sexy, sassy...Jones's characters, both living and dead, are colorful and endearing.” ―The Associated Press on First Grave on the Right

    “Jones's wickedly witty debut will delight.” ―Booklist (starred) on First Grave on the Right

    “Jones perfectly balances humor and suspense...will leave readers eager for her next installment.” ―Publishers Weekly (starred review) on Second Grave on the Left

    “Charlie continues to fascinate.” ―Booklist on Third Grave Dead Ahead

    “Fourth Grave Beneath My Feet continues to blend paranormal, romance, and mystery better than any other contemporary work out there.” ―Heroes and Heartbreakers

    “Jones has hit on the perfect recipe for a wisecracking, wickedly funny romp that is edged with truly chilling danger...sexy and mysterious.” ―RT Book Reviews on Fifth Grave Past the Light

    “Delivers plenty of thrills and laughs, as well as a deliciously explosive climax.” ―Publisher’s Weekly on Sixth Grave on the Edge

    “Übertalented Jones keeps stirring the pot and throwing in crazy new developments, guaranteed to keep her characters and readers zanily off balance.” ―RT Book Reviews on Sixth Grave on the Edge

    “Hilarious, terrifying and poignant - a truly tremendous read!” ―RT Book Reviews (4 ½ stars) on Seventh Grave and No Body

    “Seventh Grave and No Body is Charley at her finest!” ―Fresh Fiction

    “Action, action, action, all encased in snappy, funny dialogue...Charley is a sassy, funny woman a reader cannot help but love.” ―Romance Reviews Today on Eighth Grave After Dark

    “As always, there is plenty of the weird and wacky, but there is also a heaping dose of high-stakes drama and poignancy. This is one fantastic read!” ―RT Book Reveiws (4 ½ stars) on Eighth Grave After Dark

    About the Author
    New York Times and USA Today bestselling author DARYNDA JONES won a Golden Heart and a RITA for her manuscript First Grave on the Right. A born storyteller, she grew up spinning tales of dashing damsels and heroes in distress for any unfortunate soul who happened by, annoying man and beast alike. Darynda lives in the Land of Enchantment, also known as New Mexico, with her husband and two beautiful sons, the Mighty, Mighty Jones Boys.

    Most helpful customer reviews

    47 of 48 people found the following review helpful.
    Mixed feelings on this one
    By Jen (Red Hot Books)
    I have very mixed feelings about this book. I love this series. I love the characters. The wit. The charm. The sexy and smoldering Reyes Farrow. And you can find all of those things in this book. So on one hand, I enjoyed it. I laughed. And I quickly warmed to amnesiac Charley, who --despite her memory loss-- is essentially the same loveable person she has been since book 1. The problem is that this book felt like total filler. Other than a couple of revelations at the very end, it's essentially a prop to get us from the explosive ending of Eighth Grave to whatever is coming next. A fact which I found both disappointing and frustrating.

    The climax of the last book was heartbreaking. That it caused Charley to check out of her regular life and start over with a blank slate somewhere is kind of understandable. But this entire book is spent without Charley knowing who she is. It's too much. I spent the whole time waiting for her to remember her identity, which kept me from really buying in to the story. It was a distraction and it felt like we were spinning our wheels.

    Charley's friends and family are all with her in the small town where she landed, keeping up the ruse that they don't know her history. Again, I have mixed feelings. I am glad they were present, because I love the relationships she has with Cookie, Uncle Bob, Swopes, and Osh. (And of course, Reyes goes without saying.) The interactions she has with them as "Janey Doerr" are virtually the same as she has as Charley, which is good in the sense that it's fun and familiar. But it's bad because it messed with my suspension of disbelief. That they all picked up their lives and created fake ones across the country. That their relationships with Charley play out the exactly same way when she doesn't know them. It's just too... convenient. This is a smart, snappy series that is great at surprising me. Here, it felt less so.

    There is a side mystery involving a kidnapped family that was fair. It gave Charley a reason to sleuth but it was not tied to the bigger story as her mysteries usually are. Like everything else in the book, it felt forced in a way this series rarely is.

    I wish I felt differently. Because Reyes is still loyal and delicious and damn near perfect. And Cookie may be the best sidekick ever. And Charley is still wonderful Charley no matter what name she goes by. I just want the rest of the magic back.

    Rating: B-

    34 of 36 people found the following review helpful.
    Had Me Laughing, Had Me Worried, Had Me Engrossed To The Point There Would Be No Sleep
    By Douglas C. Meeks
    Note: This review might have minor spoilers but not really any more than the synopsis reveals.

    I have been waiting for this book for 8 months and it felt like 8 years, the things that happened in the last book just blew my mind and then the ending left me trying to wrap my head around that book so I was waiting for this book to add something approaching normal back to this series …… and it did …. Well sort of normal.

    This book is almost like a new series for a good part of the book because Charlie does not remember who/what she is or why she can see dead people.

    The humor in this book is what I am going to remember for a long time, I laughed as much or more than I have reading most romantic comedies. Doing all this while a deadly serious plot unfolds around our heroine is a nice touch and shows why we keep reading this series, Charlie has a wicked sense of humor and add a bit of reckless detective and it makes for an exceptionally entertaining reading experience.

    It should be mentioned that no cliffhanger is a real plus but she leaves us a small teaser which I assume will set the plot of the next book The Curse of Tenth Grave

    Bottom Line: This book is a gem, the old amnesia ploy actually works great, it makes the book seem like a prequel in some respects and what really makes it exceptional is the cast of characters that are like family. All of them are there to help although if I had any complaints it might be wanting to see more of all of them but then again the story had to be handled perfectly or it would come across like one of those hundreds of amnesiac soap opera plots that are a joke these days. This is a slowly building plot with great humor and we get to see Charlie fall in love all over again. 5 Stars and once again she leaves us with a small teaser that will have us snatching up the next one as soon as we can get our hands on it.

    19 of 20 people found the following review helpful.
    Ms. Jones has done it again!
    By PenKay
    Charlotte “Charley” Davidson is far from home in Sleepy Hollow, NY. She has lost her memory and doesn’t have a clue about her life before four weeks ago when she woke up in an alley in Sleepy Hollow. Now she is calling herself Janey Doerr (Jane Doe is just too boring) and has developed a few friendships at the diner she is working at. Along with her new friends, she has her regulars (who is that Garret fellow and isn’t Reyes really a wonderful chunk of man?) and she has gotten to know her neighboring business owners. The only thing she knows for sure about her life is that she is different because she can see the dead and the world around her seems to be split into two distinct forms. And what is up with being a human lie detector? When she delivers lunch to one of her neighboring business friends, she realizes something is up. He acts nervous and strange people have taken up in this shop. She starts snooping and realizes he is being held hostage. She will stop at nothing to help him and his family. Sometimes not having a memory can be an asset. But, who will help her when things get too hot to handle?

    I was really looking forward to this novel and dreading it at the same time. I’ve never been a really big fan of a main character developing amnesia and not knowing anything. But I should have known that Darynda Jones would pull it off. Charley was her normal self, bright, funny, and engaging. Usually by this time, I’m starting to get a little tired of a series. Not this one. I feel like we’ve started a new arc in the series, and things still feel fresh. In some ways, I feel that Charley has grown up a bit in this book, too. She was never that immature, but a still see a little growth. I am more than ready for the next book. This whole series has been a joy to read, and I am still looking forward to the next one. Do yourself a favor and read the entire series. You will not regret it. I have recommended the series to many people and all love it. Don’t miss this one!

    Thanks to NetGalley and St. Martin’s Press Books for the free ebook in exchange for an honest review. This review is also posted on Goodreads.

    See all 566 customer reviews...

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    Jumat, 11 Maret 2011

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    (Book). When Leo Fender added a bass to his growing family of instruments 50 years ago, he created a new world for musicians and revolutionized an industry in the process. Using hundreds of photographs, this exciting release chronicles the evolution of that instrument from 1951 to 2001, providing background, history and highly researched facts vital to understanding everything about this remarkable member of the Fender family. A must for all music fans!

    • Sales Rank: #111962 in Books
    • Brand: Hal Leonard
    • Model: 330755
    • Published on: 2001-10-01
    • Released on: 2001-10-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.00" h x .46" w x 8.50" l,
    • Binding: Paperback
    • 128 pages
    Features
    • Used Book in Good Condition

    Most helpful customer reviews

    1 of 1 people found the following review helpful.
    Nice photos, but not very in depth.
    By William Hanna
    A good overview with some beautiful photos. A little light on the written content. It seems to be aimed at collectors, but without the detail that a collector would want. Also, it ignores some of the lessor known instruments. The Coronado bass only gets one picture (from a catalog) and a couple of brief mentions. Still, it has value for the photos alone.

    0 of 0 people found the following review helpful.
    Highly recommended. Every page is a gold mine!
    By Rob Spayne
    I am a pretty serious Fender Precision bass collector. This book is, by far, the closest thing to a Fender bass "bible" I have read. It is packed with drool inspiring pictures and the reference section which illustrates chronological changes to various parts like tuners and the serial number chart (more accurate than the one on Fender's website!) is invaluable. Buy this book and buy a spare copy too.

    0 of 0 people found the following review helpful.
    Fantastic Fender bass reference book
    By T. Steele
    As the "Illustrated History" title suggests, the content is mostly pictorial and light on commentary. Scads of full color glossy photos take you from the earliest P-basses to the Urge bass and beyond. A good portion of the book is devoted to identifying dates of manufacture by head-stocks, logos, bridges, tuning machines, etc. Topped off with a tour of the vintage Fender factory, this book is a must have for any Fender bass aficionado.

    One thing I would've liked to see however, is some information on the various Fender bass neck profiles and their respective eras (i.e. U-shape, vintage C, modern C, soft-V).

    See all 37 customer reviews...

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    Sabtu, 05 Maret 2011

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    Adhesive Metal Free Restorations, by Didier Dietschi, Dietschi

    This work offers a simple yet comprehensive approach to the aesthetic adhesive restoration of posterior teeth. the direct, semidirect and indirect techniques, as well as luting and finishing procedures, are covered in detail.

    • Sales Rank: #4533111 in Books
    • Brand: Brand: Quintessence Publishing (Il)
    • Published on: 1997-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.25" h x 8.75" w x .75" l, 2.35 pounds
    • Binding: Hardcover
    • 215 pages
    Features
    • Used Book in Good Condition

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    Rabu, 02 Maret 2011

    [D217.Ebook] Ebook Free Advanced Study in the History of Modern India: Volume One: 1707 - 1813, by J. L. Mehta

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    Advanced Study in the History of Modern India: Volume One: 1707 - 1813, by J. L. Mehta

    Advanced Study in the History of Modern India: Volume One: 1707 - 1813, by J. L. Mehta



    Advanced Study in the History of Modern India: Volume One: 1707 - 1813, by J. L. Mehta

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    Advanced Study in the History of Modern India: Volume One: 1707 - 1813, by J. L. Mehta

    In the present volume, the author gives an analytical and critical account of the political history of early modern India from A D 1707 to 1813. The study begins with the death of Aurangzeb, the last imperial ruler of the Mughal Dynasty, and carries the story of political and military developments through the eighteenth century, which comprises `an epoch of transition' from the medieval to the modern period of Indian history. The narrative shatters the contention of contemporary European writers that it was `the dark age' of Indian history, characterized by `political anarchy and misgovernment', until the British brought it under their sway. The main thesis of the author is that the political developments of the period were marked by two distinct phases; the first phase, which lasted from 1707 to 1760, saw the rapid disintegration of the Mughal power and its replacement by the Maratha hegemony. Delhi became the hub of Maratha activities from 1752 and fell under their complete control by 1760. The Afghan invader, Ahmad Shah Abdali, gave a serious blow to the Maratha power in the third battle of Panipat (1761), albeit, their Afghan and Mughal adversaries were also ruined within a decade. On the other hand, the Marathas effected phenomenal revival of their power under their fourth Peshwa Madhav Rao (1761-72). Meanwhile, the English traders turned colonialists, after consolidating their hold along the Indian seacoasts and conquest of `Carnatic' and Bengal, challenged the Maratha hegemony. The second phase of developments was thus marked by the struggle for supremacy between these two powers almost exclusively. Nevertheless, for full 31 years after 1772, the Marathas were in absolute control of Delhi, and wielded imperial powers as de facto as well as de jure rulers of the country in the name of the phantom Mughal emperor until they were dislodged from there in 1803. The Marathas were defeated but not yet out by the year 1813. The author makes a judicious use of the contemporary English and Marathi sources and liberally utilizes the intensive researches done by modern historians to portray a compact picture of their findings in an extensive treatment of the subject matter in the form of a text book for the benefit of the degree students of colleges and universities. Historical facts have been reorganized and reinterpreted through clear and illuminating expositions, refreshing characterization of historic personalities, and objective assessment of events and movements. Together with maps, a select bibliography, glossary and an elaborate index, the volume makes a rich contribution to the advancement of modern historical literature.

    • Sales Rank: #5511687 in Books
    • Published on: 2005-07-30
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.50" h x 5.75" w x 1.75" l, 2.23 pounds
    • Binding: Hardcover
    • 728 pages

    About the Author
    Professor Mehta is an eminent scholar of History. He has authored a three-volume publication entitled Advanced Study in the History of Medieval India.

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